References


Adcock, F. (1987) The Faber Book of 20th Century Women's Poetry. London: Faber and Faber.
Adolphs, S. (2006) Introducing Electronic Text Analysis: A Practical Guide for Language and Literary Studies. London: Routledge.
Alderson, J. C. and Short, M. (1989) ‘Reading literature’, in Short, M. (ed.) Reading, Analysing and Teaching Literature, pp. 72–119. London: Longman.
Archer, D. (2002) ‘Can innocent people be guilty? A sociopragmatic analysis of examination transcripts from the Salem Witchcraft Trials’, Journal of Historical Pragmatics 3(1): 1–31.
Armitage, S. (1999) Kid. London: Faber and Faber.
Atkinson, K. (2004) Case Histories. London: Black Swan.
Austin, J. L. (1962) How to Do Things With Words. Oxford: Oxford University Press.
Baker, A. E. (2003) ‘The front bedroom’, Smiths Knoll 30: 58.
Baker, P. and McEnery, T. (2005) ‘A corpus-based approach to discourses of refugees and asylum seekers in UN and newspaper texts’, Language and Politics 4(2): 197–226.
Bakhtin, M. M. (1981) [1975] ‘Discourse in the novel’, in The Dialogic Imagination: Four Essays, ed. M. Holquist, trans. Caryl Emerson and Michael Holquist. University of Texas Press Slavic Studies 1, pp. 259–422. Austin: University of Texas Press.
Ball, A. (2000) American Beauty. London: Channel 4 Books.
Beal, J. (2000) ‘From Geordie Ridley to Viz: popular literature in Tyneside English’, Language and Literature 9(4): 343–59.
Bennett, A. (2000) The Lady in the Van. London: Faber and Faber.
Bennison, N. (1993) ‘Discourse analysis, pragmatics and the dramatic “character”: Tom Stoppard's Professional Foul’, Language and Literature 2(2): 79–99.
Bernières, L. de (1994) Captain Corelli's Mandolin. London: Secker and Warburg.
Biber, D., Johansson, S., Leech, G., Conrad, S. and Finegan, E. (1999) Longman Grammar of Spoken and Written English. London: Longman.
Birch, D. (1989) Language, Literature, and Critical Practice: Ways of Analysing Text. London: Routledge.
Blake, N. (1989) The Language of Shakespeare. Basingstoke: Palgrave.
Boeriis, M. and Nørgaard, N. (2008) ‘The multimodal construal of humour and intertextuality in Tele2's Small Bill/Big Bill campaign’, in Baldry, A. and Montagna, E. (eds.) Interdisciplinary Perspectives on Multimodality: Theory and Practice. Campobasso: Palladino.
Bolinger, D. (1949) ‘The sign is not arbitrary’, Boletín del Instituto Caro y Cuervo 5: 52–62.
Bousfield, D. (2007a) Impoliteness in Interaction. Amsterdam: John Benjamins.
Bousfield, D. (2007b) ‘“Never a truer word said in jest”: a pragmastylistic analysis of impoliteness as banter in Henry IV, Part I’, in Lambrou, M. and Stockwell, P. (eds.) Contemporary Stylistics, pp. 209–20. London: Continuum.
Boyne, J. (2006) The Boy in the Striped Pyjamas. Oxford: David Fickling Books.
Brook, G. L. (1970) The Language of Dickens. London: André Deutsch.
Brown, P. and Levinson, S. C. (1987) Politeness: Some Universals in Language Usage. Cambridge: Cambridge University Press.
Bühler, K. (1982) ‘The deictic field of language and deictic words’, in Jarvella, R. and Klein, W. (eds.) Speech, Place and Action: Studies in Deixis and Related Topics, pp. 9–30. New York: Wiley.
Bühler, K. (1990 [1934]) Theory of Language: The Representational Function of Language. (Originally published as Sprachtheorie. Translated by Goodwin, D. F.) Amsterdam: John Benjamins.
Burke, M. (2008) The Oceanic Mind: Charting Emotive Cognition in the Flow of Language and Literature. Unpublished PhD thesis: University of Amsterdam.
Burnett, P. (ed.) (1986) The Penguin Book of Caribbean Poetry. Harmondsworth: Penguin.
Burrows, J. F. (1987). Computation into Criticism: A Study of Jane Austen's Novels and an Experiment in Method. Oxford: Clarendon Press.
Burton, D. (1980) Dialogue and Discourse: A Socio-linguistic Approach to Modern Drama Dialogue and Naturally Occurring Conversation. London: Routledge and Kegan Paul.
Butt, D., Fahey, R., Feez, S., Spinks, S. and Yallop, C. (2000) Understanding Functional Grammar: An Explorer's Guide. 2nd edition. Sydney: National Centre for English Language Teaching and Research.
Cameron, D. (ed.) (1998) The Feminist Critique of Language: A Reader. London: Routledge.
Carstairs-McCarthy, A. (1992) Current Morphology. London: Routledge.
Carter, R. and Adolphs, S. (2008) ‘Linking the verbal and visual: new directions for corpus linguistics’, Language and Computers 64: 275–91.
Carter, R. and Nash, W. (1983) ‘Language and literariness’, Prose Studies 6(2): 124–41.
Carter, R. and Nash, W. (1990) Seeing through Language: A Guide to Styles of English Writing. Oxford: Blackwell.
Cauldwell, R. (1999) ‘Openings, rhythm and relationships: Philip Larkin reads Mr Bleaney’, Language and Literature 8(1): 35–48.
Cecconi, E. (2008) ‘Legal discourse and linguistic incongruities in Bardell vs. Pickwick: an analysis of address and reference strategies in The Pickwick Papers trial scene’. Language and Literature 17(3): 205–19.
Chapman, G., Cleese, J., Gilliam, T., Idle, E., Jones, T. and Palin, M. (1974) Monty Python and the Holy Grail. London: Methuen.
Chapman, G., Cleese, J., Gilliam, T., Idle, E., Jones, T. and Palin, M. (1990) Monty Python's Flying Circus: Just the Words, Vol. 2. London: Methuen.
Chapman, S. (2005) Paul Grice, Philosopher and Linguist. Basingstoke: Palgrave.
Chapman, S. (2006) Thinking About Language: Theories of English. Basingstoke: Palgrave.
Chapman, S. and Routledge, C. (1999) ‘The pragmatics of detection: Paul Auster's City of Glass,’ Language and Literature 8(3): 241–53.
Clark, R. J. (1999) ‘From text to performance: Interpretation or traduction? Trevor Griffiths’ Fatherland, as directed by Ken Loach’, Language and Literature 8(2): 99–123.
Cleese, J. and Booth, C. (1988) The Complete Fawlty Towers. London: Methuen.
Cleese, J. and Crichton, C. (1988) A Fish Called Wanda. London: Mandarin.
Cluysenaar, A. (1976) Introduction to Literary Stylistics. London: Batsford.
Coe, J. (2004) The Rotters’ Club. London: Penguin.
Conan Doyle, A. (2003) [1891] The Adventures of Sherlock Holmes. New York: Barnes and Noble.
Cook, G. (1994) Discourse and Literature: The Interplay of Form and Mind. Oxford: Oxford University Press.
Cook, S. (1985) Concrete Poems. Richmond: The Keepsake Press.
Cooper, M. (1998) ‘Implicature, convention and The Taming of the Shrew’, in Culpeper, J., Short, M. and Verdonk, P. (eds.) Exploring the Language of Drama: From Text to Context, pp. 54–66. London: Routledge.
Crisp, P. (2002) ‘Metaphorical propositions’, Language and Literature 10(1): 5–19.
Cruse, D. A. (1986) Lexical Semantics. Cambridge: Cambridge University Press.
Cruse, D. A. (2004) Meaning in Language: An Introduction to Semantics and Pragmatics. Oxford: Oxford University Press.
Crystal, D. and Davy, D. (1969) Investigating English Style. London: Longman.
Culpeper, J. (1996) ‘Towards an anatomy of impoliteness’, Journal of Pragmatics 25: 349–67.
Culpeper, J. (1998) ‘(Im)politeness in dramatic dialogue’, in Culpeper, J., Short, M. and Verdonk, P. (eds.) Exploring the Language of Drama: From Text to Context, pp. 83–95. London: Routledge.
Culpeper, J. (2000) ‘A cognitive approach to characterization: Katherina in Shakespeare's The Taming of the Shrew’, Language and Literature 9(4): 291–316.
Culpeper, J. (2002) ‘Computers, language and characterisation: an analysis of six characters in Romeo and Juliet’, in Melander-Marttala, U., Ostman, C. and Kyto, M. (eds.) Conversation in Life and in Literature: Papers from the ASLA Symposium, pp. 11–30. Uppsala: Universitetstryckeriet.
Culpeper, J. (2005) ‘Impoliteness and entertainment in the television quiz show: The Weakest Link’, Journal of Politeness Research 1(1): 35–72.
Culpeper, J. and McIntyre, D. (2010) ‘Activity types and characterisation in dramatic discourse’, in Schneider, R., Jannidis, F. and Eder, J. (eds.) Characters in Fictional Worlds: Interdisciplinary Perspectives. Berlin: De Gruyter.
Cummings, E. E. (1991) Complete Poems 1904–62. London: W. W. Norton.
Cummings, E. E. (1964) 73 Poems. London: Faber and Faber.
Curtis, R., Elton, B., Lloyd, J. and Atkinson, R. (1998) Blackadder 1485–1917. London: Michael Joseph.
Dahl, R. (1973 [1945]) Over to You. London: Penguin.
Dahlmann, I. and Adolphs, S. (2009) ‘Multi-modal spoken corpus analysis and language description: the case of multi-word expressions’, in Baker, P. (ed.) Contemporary Approaches to Corpus Linguistics. London: Continuum.
Davies, M. (2007) ‘The attraction of opposites: the ideological function of conventional and created oppositions in the construction of in-groups and out-groups in news texts’, in Jeffries, L., McIntyre, D. and Bousfield, D. (eds.) Stylistics and Social Cognition. Amsterdam / New York: Rodopi (PALA Papers).
Davies, M. (2008) Oppositions in News Discourse: The Ideological Construction of ‘Us’ and ‘Them’ in the British Press. Unpublished PhD thesis: University of Huddersfield.
Dooley, M. (1991) Explaining Magnetism. Newcastle upon Tyne: Bloodaxe Books.
Dooley, M. (1996) Kissing a Bone. Newcastle upon Tyne: Bloodaxe Books.
Douthwaite, J. (2000) Towards a Linguistic Theory of Foregrounding. Alessandria: Edizioni dell’Orso.
Doyle, R. (1999) A Star Called Henry. Viking.
Duchan, J. F., Bruder, G. A. and Hewitt, L. E. (eds.) (1995) Deixis in Narrative: A Cognitive Science Perspective. Hillsdale, NJ: Lawrence Erlbaum.
Duffell, M. J. (2002) ‘The Italian line in English after Chaucer’, Language and Literature 11(4): 291–305.
Duffy, C. A. (1993) Mean Time. London: Anvil Press.
Dunn, D. (1985) Elegies. London: Faber and Faber.
Eco, U. (1980) The Name of the Rose. London: Picador.
Ehrlich, V. (1965 [1955]) Russian Formalism: History and Doctrine. The Hague: Mouton.
Emerson, R. W. (1847) Poems. Boston: James Munroe.
Emmott, C. (1997) Narrative Comprehension: A Discourse Perspective. Oxford: Oxford University Press.
Emmott, C. (2002) ‘“Split selves” in fiction and in medical “life stories”: cognitive linguistic theory and narrative practice’, in Semino, E. and Culpeper, J. (eds.) Cognitive Stylistics: Language and Cognition in Text Analysis, pp. 153–81. Amsterdam: John Benjamins.
Emmott, C. (2003a) ‘Reading for pleasure: a cognitive poetic analysis of “twists in the tale” and other plot reversals in narrative texts’, in Gavins, J. and Steen, G. (eds.) Cognitive Poetics in Practice, pp. 145–60. London: Routledge.
Emmott, C. (2003b) ‘Towards a theory of reading in the age of cognitive science: cross-disciplinary perspectives on narrative from stylistics and psychology’, BELL: Belgian Journal of English Language and Literature 1: 17–29.
Emmott, C. Sanford, A. J., and Dawydiak, E. J. (2007) ‘Stylistics meets cognitive science: studying style in fiction and readers’ attention from an inter-disciplinary perspective’, Style 41(2): 204–24.
Enkvist, N. E. (1973) Linguistic Stylistics. The Hague: Mouton.
Evans, V. and Green, M. (2006) Cognitive Linguistics: An Introduction. Edinburgh: Edinburgh University Press.
Fairclough, N. (1989) Language and Power. London: Longman.
Fairclough, N. (1992) Discourse and Social Change. Cambridge: Polity Press.
Fanthorpe, U. A. (1978) Side Effects. Liskeard: Peterloo Poets.
Fauconnier, G. (1985) Mental Spaces. Cambridge, Mass.: MIT Press.
Fauconnier, G. and Turner, M. (2002) The Way We Think: Conceptual Blending and the Mind's Hidden Complexities. New York: Basic Books.
Faulkner, W. (1987 [1929]) The Sound and the Fury. New York: Vintage.
Fenton, J. (1980) A German Requiem: A Poem. Edinburgh: Salamander.
Fielding, H. (1999) Bridget Jones’s Diary. London: Penguin.
Fish, S. (1981 [1973]) ‘What is stylistics and why are they saying such terrible things about it?’, in Freeman, D. C. (ed.) Essays in Modern Stylistics, pp. 53–78. London: Methuen.
Fitzmaurice, S. (2000) ‘Tentativeness and insistence in the expression of politeness in Margaret Cavendish's Sociable Letters’, Language and Literature 9(1): 7–24.
Fleming, I. (1985 [1958]) Dr No. London: Triad/Panther.
Fludernik, M. (1993) The Fictions of Language and the Languages of Fiction: The Linguistic Representation of Speech and Consciousness. London: Routledge.
Forceville, C. (1996) Pictorial Metaphor in Advertising. London: Routledge.
Forceville, C. (2002a) ‘The conspiracy in The Comfort of Strangers: narration in the novel and the film’, Language and Literature 11(2): 119–35.
Forceville, C. (2002b) ‘The identification of target and source in pictorial metaphors’, Journal of Pragmatics 34(1): 1–14.
Forceville, C. (2005a) ‘Visual representations of the Idealized Cognitive Model of anger in the Asterix album La Zizanie’, Journal of Pragmatics 37(1): 69–88.
Forceville, C. (2005b) ‘Cognitive linguistics and multimodal metaphor’, in Sachs-Hombach, K. (ed.) Bildwissenschaft: Zwischen Reflektion und Anwendung, pp. 264–84. Cologne: Von Halem.
Forceville, C. (2007) ‘Multimodal metaphor in ten Dutch TV commercials’, The Public Journal of Semiotics 1(1): 19–51.
Fowler, R. (ed.) (1966) Essays on Style and Language. London: Routledge & Kegan Paul.
Fowler, R. (1971) The Languages of Literature. London: Routledge & Kegan Paul.
Fowler, R. (ed.) (1975) Style and Structure in Literature: Essays in the New Stylistics. Oxford: Blackwell.
Fowler, R. (1977) Linguistics and the Novel. London: Methuen.
Fowler, R. (1986) Linguistic Criticism. Oxford: Blackwell.
Fowler, R. (1991) Language in the News. London: Routledge.
Fowler, R. (1995) The Language of George Orwell. Basingstoke: Palgrave.
France, L. (ed.) (1993) Sixty Women Poets. Newcastle upon Tyne: Bloodaxe Books.
Fraser Gupta, A. (2000) ‘Marketing the voice of authenticity: a comparison of Ming Cher and Rex Shelley’, Language and Literature 9(2): 150–69.
Freeman, D. C. (ed.) (1970) Linguistics and Literary Style. New York: Holt, Rinehart and Winston.
Freeman, M. H. (2005) ‘The poem as complex blend: conceptual mappings of metaphor in Sylvia Plath's “The Applicant”’, Language and Literature 14(1): 25–44.
Galbraith, M. (1995) ‘Deictic shift theory and the poetics of involvement in narrative’, in Duchan, J. F., Bruder, G. A. and Hewitt, L. E. (eds.) Deixis in Narrative: A Cognitive Science Perspective, pp. 19–59. Hillsdale, NJ: Lawrence Erlbaum.
Gavins, J. (2003) ‘Too much blague? An exploration of the text worlds of Donald Barthelme's Snow White’, in Gavins, J. and Steen, G. (ed.) Cognitive Poetics in Practice, pp. 129–44. London: Routledge.
Gavins, J. (2007) Text World Theory: An Introduction. Edinburgh: Edinburgh University Press.
Gavins, J. and Steen, G. (eds.) (2003) Cognitive Poetics in Practice. London: Routledge.
Genette, G. (1994 [1976]) Mimologics. Lincoln: University of Nebraska Press.
Gibbs, R. (1994) The Poetics of Mind: Figurative Thought, Language, and Understanding. Cambridge: Cambridge University Press.
Gill, D. (2002) The Amateur Yorksherman. Bradford: Redbeck Press.
Goatly, A. (2007) Washing the Brain: Metaphor and Hidden Ideology. Amsterdam: John Benjamins.
Goodblatt, C. (2000) ‘In other words: breaking the monologue in Whitman, Williams and Hughes’, Language and Literature 9(1): 25–41.
Gregoriou, C. (2006) The Poetics of Deviance in Contemporary American Crime Fiction. Basingstoke: Palgrave.
Gregoriou, C. (2007) Deviance in Contemporary Crime Fiction. London: Palgrave.
Grice, H. P. (1975) ‘Logic and conversation’, in Cole, P. and Morgan, J. L. (eds.) Syntax and Semantics 3: Speech Acts, pp. 41–58. New York: Academic.
Haddon, M. (2007) A Spot of Bother. London: Vintage.
Halliday, M. A. K. (1985) An Introduction to Functional Grammar. London: Edward Arnold.
Halliday, M. A. K. (1994) An Introduction to Functional Grammar. 2nd edition. London: Edward Arnold.
Halliday, M. A. K. and Hasan, R. (1976) Cohesion in English. London: Longman.
Halliday, M. A. K. and Matthiessen, C. (2004) An Introduction to Functional Grammar. 3rd edition. London: Arnold.
Hardy, D. E. (2003) Narrating Knowledge in Flannery O’Connor's Fiction. Columbia: University of South Carolina Press.
Hardy, D. E. (2004) ‘Collocational analysis as a stylistic discovery procedure: the case of Flannery O’Connor's Eyes’, Style 38(4): 410–27.
Hardy, D. E. (2005) ‘Towards a stylistic typology of narrative gaps: knowledge gapping in Flannery O’Connor's fiction’, Language and Literature 14: 363–75.
Hardy, D. E. (2007) The Body in Flannery O’Connor's Fiction: Computational Technique and Linguistic Voice. Columbia: University of South Carolina Press.
Hardy, T. (1987 [1886]) The Mayor of Casterbridge. Oxford: Oxford University Press.
Harris, S. (1984) ‘Questions as a mode of control in magistrates’ courts’, International Journal of the Sociology of Language 49: 5–27.
Harrison, T. (1975) Palladas: Poems. London: Anvil Press.
Harrison, T. (1984) Selected Poems. Harmondsworth: Penguin.
Harvey, K. (2000) ‘Describing camp talk: language/pragmatics/politics’, Language and Literature 9(3): 240–60.
Havránek, B. (1964 [1932]) ‘The functional differentiation of standard language’, in Garvin, P. (ed.) A Prague School Reader on Esthetics, Literary Structure, and Style, pp. 3–16. Washington, DC: Georgetown University Press.
Heywood, J., Semino, E. and Short, M. (2002). ‘Linguistic metaphor identification in two extracts from novels’, Language and Literature 11(1): 35–54.
Hidalgo-Downing, L. (2000) ‘Negation in discourse: A text world approach to Joseph Heller's Catch-22’, Language and Literature 9(3): 215–39.
Hinton, L., Nichols, J. and Ohala, J. (eds.) (1994) Sound Symbolism. Cambridge: Cambridge University Press.
Ho, Y. (forthcoming) Corpus Stylistics in Principle and Practice. London: Continuum.
Hogenraad, R., McKenzie, D. and van Peer, W. (1997) ‘On fact making in empirical studies of literature’, SPIEL (Siegener Periodicum zur Internationalen Empirischen Literaturwissenschaft) 16: 169–74.
Hoover, D. (2004a) ‘Altered texts, altered worlds, altered styles’, Language and Literature 13(2): 99–118.
Hoover, D. (2004b) ‘Testing Burrows's Delta’, Literary and Linguistic Computing 19(4): 453–75.
Hoover, D. (2007) ‘Corpus stylistics, stylometry, and the styles of Henry James’, Style 41(2): 174–203.
Hoover, D. (2008) ‘Word frequency, statistical stylistics, and authorship attribution’, in Archer, D. (ed.) What's in a Word-list? Investigating Word Frequency and Keyword Extraction, pp. 35–52. Aldershot: Ashgate.
Hoover, D. and Hess, S. (2009) ‘An exercise in non-ideal authorship attribution: The Mysterious Maria Ward’, Literary and Linguistic Computing 24: 467–89.
Ivanchenko, A. (2007) ‘An “interactive” approach to interpreting overlapping dialogue in Caryl Churchill's Top Girls (Act 1)’, Language and Literature 16(1): 74–89.
Jakobson, R. (1960) ‘Closing statement: linguistics and poetics’, in Sebeok, T. A. (ed.) Style in Language, pp. 350–77. Cambridge, MA: MIT Press.
Jeffries, L. (1993) The Language of Twentieth Century Poetry. Basingstoke: Macmillan.
Jeffries, L. (1994) ‘Language in common: apposition in contemporary poetry by women’, in Wales, K. (ed.) Feminist Linguistics in Literary Criticism, pp. 21–50. London: Boydell and Brewer.
Jeffries, L. (1998) Meaning in English. Basingstoke: Macmillan.
Jeffries, L. (2000) ‘Point of view and the reader in the poetry of Carol Ann Duffy’, in Jeffries, L. and Sansom, P. (eds.) Contemporary Poems: Some Critical Approaches, pp. 54–68. Huddersfield: Smith-Doorstop.
Jeffries, L. (2001) ‘Schema theory and White Asparagus: cultural multilingualism among readers of texts’, Language and Literature 10(4): 325–43.
Jeffries, L. (2002) ‘Meaning negotiated: an investigation into reader and author meaning’, in Csábi, S. and Zerkowitz, J. (eds.) Textual Secrets: The Message of the Medium, pp. 247–61. Budapest: Eötvös Loránd University.
Jeffries, L. (2006) Discovering Language: The Structure of Modern English. Basingstoke: Palgrave.
Jeffries, L. (2007a) ‘Journalistic constructions of Blair's “apology” for the intelligence leading to the Iraq War’, in Johnson, S. and Ensslin, A. (eds.) Language in the Media, Representations, Identities, Ideologies, pp. 48–69. London: Continuum.
Jeffries, L. (2007b) Textual Construction of the Female Body. Basingstoke: Palgrave Macmillan.
Jeffries, L. (2008) ‘The role of style in reader-involvement: deictic shifting in contemporary poems’, Journal of Literary Semantics 37(1): 69–85.
Jeffries, L. (2010a) Opposition in Discourse. London: Continuum.
Jeffries, L. (2010b) Critical Stylistics. Basingstoke: Palgrave.
Jeffries, L. McIntyre, D. and Bousfield, D. (eds.) (2007) Stylistics and Social Cognition. Amsterdam: Rodopi.
Kress, G. and Van Leeuwen, T. (2001) Multimodal Discourse: The Modes and Media of Contemporary Communication. London: Arnold.
Kress, G. and Van Leeuwen, T. (2006) Reading Images: The Grammar of Visual Design. 2nd edition. London: Routledge.
Lachenicht, G. (1980) ‘Aggravating language: a study of abusive and insulting language’, International Journal of Human Communication 13(4): 607–88.
Lahey, E. (2003) ‘Seeing the forest for the trees in Al Purdy's “Trees at the Arctic Circle”’, BELL: Belgian Journal of English Language and Literature 1: 73–83.
Lakoff, G. (1993) ‘The contemporary theory of metaphor’, in Ortony, A. (ed.) Metaphor and Thought, pp. 202–51. Cambridge: Cambridge University Press.
Lakoff, G. and Johnson, M. (1980) Metaphors We Live By. Chicago: Chicago University Press.
Lakoff, G. and Turner, M. (1989) More Than Cool Reason: A Field Guide To Poetic Metaphor. Chicago: Chicago University Press.
Lambrou, M. (2003) ‘Collaborative oral narratives of general experience: when an interview becomes a conversation’, Language and Literature 12(2): 153–74.
Lambrou, M. and Stockwell, P. (eds.) (2007) Contemporary Stylistics. London: Continuum.
Larkin, P. (1964) The Whitsun Weddings. London: Faber and Faber.
Leech, G. N. (1966) English in Advertising. London: Longman.
Leech, G. N. (1969) A Linguistic Guide to English Poetry. London: Longman.
Leech, G. N. (1970) ‘The linguistic and the literary’, Times Literary Supplement, 23 July: 805–6.
Leech, G. N. (2008) Language in Literature: Style and Foregrounding. London: Pearson Education.
Leech, G. N. and Short, M. (1981) Style in Fiction: A Linguistic Introduction to English Fictional Prose. London: Longman.
Leech, G. N. (2007) Style in Fiction: A Linguistic Introduction to English Fictional Prose. 2nd edition. London: Pearson Education.
Lester, G. A. (1996) The Language of Old and Middle English Poetry. Basingstoke: Palgrave.
Levin, S. R. (1962) Linguistic Structures in Poetry. The Hague: Mouton.
Levin, S. R. (1965) ‘Internal and external deviation in poetry’, Word 21: 225–37.
Levinson, S. C. (1983) Pragmatics. Cambridge: Cambridge University Press.
Lorde, A. (1997) The Collected Poems of Audre Lord. New York: W. W. Norton.
Louw, B. (1993) ‘Irony in the text or insincerity in the writer? The diagnostic potential of semantic prosodies’, in Baker, M., Francis, G. and Tognini-Bonelli, E. (eds.) Text and Technology: In Honour of John Sinclair, pp. 157–76. Amsterdam: John Benjamins.
Machin, D. (2007) Introduction to Multimodal Analysis. Oxford: Oxford University Press.
MacKay, R. (1996) ‘Mything the point: a critique of objective stylistics’, Language and Communication 16(1): 81–93.
MacNeice, L. (1964) Selected Poems of Louis MacNeice. Ed. W. H. Auden. London: Faber and Faber.
Mahlberg, M. (2007) ‘A corpus stylistic perspective on Dickens’ Great Expectations’, in Lambrou, M. and Stockwell, P. (eds.) Contemporary Stylistics, pp. 19–31. London: Continuum.
Mahlberg, M. (2010) Corpus Stylistics and Dickens’ Fiction. Abingdon: Routledge.
Malmkjær, K. (2004) ‘Translational stylistics: Dulcken's translations of Hans Christian Andersen’, Language and Literature 13(1): 13–24.
Mandala, S. (2007) Twentieth Century Dramatic Dialogue as Ordinary Talk: Speaking Between the Lines. London: Ashgate.
Marvell, A. (1681) Miscellaneous Poems. Ed. Mary Marvell. Facsimile edition: Scolar Press, 1969.
Masefield, J. (1984 [1935]) The Box of Delights. London: Fontana.
Matthews, P. H. (1991) Morphology. 2nd edition. Cambridge: Cambridge University Press.
McCall Smith, A. (1998) The No. 1 Ladies’ Detective Agency. London: Abacus.
McCall Smith, A. (2005) The Sunday Philosophy Club. London: Abacus.
McCall Smith, A. (2007) Blues Shoes and Happiness. London: Abacus.
McEnery, T. and Wilson, A. (2001) Corpus Linguistics. 2nd edition. Edinburgh: Edinburgh University Press.
McGough, R. (1979) Holiday on Death Row. Cape.
McGuckian, M. (1984) Venus and the Rain. Loughcrew: The Gallery Press.
McGuckian, M. (1997) Selected Poems: 1978–1994. Oldcastle, Co. Meath: Gallery Books.
McGuinness, F. (1998) Dancing at Lughnasa: Screenplay. London: Faber and Faber.
McIntyre, D. (2004) ‘Point of view in drama: a socio-pragmatic analysis of Dennis Potter's Brimstone and Treacle’, Language and Literature 13(2): 139–60.
McIntyre, D. (2005) ‘Logic, reality and mind style in Alan Bennett's The Lady in the Van’, Journal of Literary Semantics 34(1): 21–40.
McIntyre, D. (2006) Point of View in Plays: A Cognitive Stylistic Approach to Viewpoint in Drama and Other Text-types. Amsterdam: John Benjamins.
McIntyre, D. (2007) ‘Deixis, cognition and the construction of viewpoint’, in Lambrou, M. and Stockwell, P. (eds.) Contemporary Stylistics, pp. 118–30. London: Continuum.
McIntyre, D. (2008) ‘Integrating multimodal analysis and the stylistics of drama: a multimodal perspective on Ian McKellen's Richard III’, Language and Literature 17(4): 309–34.
McIntyre, D. Bellard-Thomson, C., Heywood, J., McEnery, A., Semino, E. and Short, M. (2004) ‘Investigating the presentation of speech, writing and thought in spoken British English: a corpus-based approach’, ICAME Journal 28: 49–76.
McMurtry, L. (1985) Lonesome Dove. New York: Simon & Schuster.
Meek, J. (2005) The People's Act of Love. London: Canongate.
Melrose, R. (2006) ‘Sites and parasites of meaning: Browning's “My Last Duchess”’, Language and Literature 15(2): 123–40.
Miall, D. (1998) ‘The hypertextual moment’, English Studies in Canada 24: 157–74.
Mills, M. (1998) The Restraint of Beasts. London: Harper Perennial.
Minsky, M. (1975) ‘A framework for representing knowledge’, in Winston, P. E. (ed.) The Psychology of Computer Vision, pp. 221–77. New York: McGraw-Hill.
Montgomery, M. (1999) ‘Speaking sincerely: public reactions to the death of Diana’, Language and Literature 8(1): 5–33.
Montgomery, M. (2005) ‘The discourse of war after 9/11’, Language and Literature 14(2): 149–80.
Montoro, R. (2006) ‘Analysing literature through films’, in Watson, G. and Zyngier, S. (eds.) Literature and Stylistics for Language Learners: Theory and Practice, pp. 48–59. Basingstoke: Palgrave.
Montoro, R. (forthcoming) Cappuccino Fiction. London: Continuum.
Morrison, B. and Motion, A. (1982) The Penguin Book of Contemporary British Poetry. Harmondsworth: Penguin.
Mukařovsky, J. (1964) [1958] ‘Standard language and poetic language’, in Garvin, P. (ed.) A Prague School Reader on Esthetics, Literary Structure, and Style, pp. 17–30. Washington, DC: Georgetown University Press.
Mullany, L. (2004) ‘“Become the man that women desire”: gender identity and dominant discourses in email advertising language’, Language and Literature 13(4): 291–305.
Murphy, J. (1980) Peace at Last. Harmondsworth: Penguin.
Nahajec, L. (2009) ‘Negation and the creation of implicit meaning in poetry’, Language and Literature 18(2): 109–27.
Nash, W. (1985) The Language of Humour. London: Longman.
Nicholson, P. (1990) ‘If it happens’, in Parrott, E. O. (ed.) How to Be Well Versed in Poetry. London: Viking.
Nørgaard, N. (2007) ‘“Disordered collarettes and uncovered tables”: negative polarity as a stylistic device in Joyce's “Two Gallants”’, Journal of Literary Semantics 36: 35–52.
Notting Hill (1999) Universal Pictures. Director: Roger Michell. Writer: Richard Curtis.
Nowottny, W. (1962) The Language Poets Use. London: Athlone Press.
Oatley, K. (1992) Best Laid Schemes: The Psychology of Emotions. Cambridge: Cambridge University Press.
Oatley, K. (2004) Emotions: A Brief History. Malden, MA: Blackwell.
O’Brien, S. (ed.) (1998) The Firebox. London: Picador.
O’Halloran, K. (2007a) ‘The subconscious in James Joyce's “Eveline”: a corpus stylistic analysis which chews on the “Fish hook”’, Language and Literature 16(3): 227–44.
O’Halloran, K. (2007b) ‘Corpus-assisted literary evaluation’, Corpora 2(1): 33–63.
Ohmann, R. (1970) ‘Generative grammars and the concept of literary style’, in Freeman, D. C. (ed.) Linguistics and Literary Style, pp. 258–78. New York: Holt, Rinehart and Winston.
O’Keefe, A. and McCarthy, M. (eds.) (2010) The Routledge Handbook of Corpus Linguistics. Abingdon: Routledge.
Peace, D. (1999) 1974. London: Serpent's Tail.
Pearce, M. (2001) ‘“Getting behind the image”: personality politics in a Labour party election broadcast’, Language and Literature 10(3): 211–28.
Person, R. F., Jr (1999) Structure and Meaning in Conversation and Literature. Lanham: University Press of America.
Piazza, R. (forthcoming) Let Cinema Speak. London: Continuum.
Place, M. (1995) In a Rare Time of Rain. London: Jonathan Cape.
Plath, S. (1965) Ariel. London: Faber and Faber.
Pope, R. (1994) Textual Intervention. London: Routledge.
Potter, D. (1996) Pennies From Heaven. London: Faber and Faber.
Quirk, R. (1961) ‘Some observations on the language of Dickens’, A Review of English Literature 2(3): 19–28.
Rash, F. (2000) ‘Language-use as a theme in German-language Swiss literature’, Language and Literature 9(4): 317–41.
Richards, I. A. (2001 [1924]) Principles of Literary Criticism. London: Routledge.
Ronen, R. (1994) Possible Worlds in Literary Theory. Cambridge: Cambridge University Press.
Rubin, E. (1915) Synsoplevede Figuere. Copenhagen: Gyldendalsde Boghandel.
Rumelhart, D. E. (1980) ‘Schemata: the building blocks of cognition’, in Spiro, R. J., Bruce, B. C. and Brewer, W. F. (eds.) Theoretical Issues in Reading Comprehension, pp. 38–58. Hillsdale, NJ: Erlbaum.
Rumens, C. (1995) Best China Sky. Newcastle upon Tyne: Bloodaxe Books.
Ryan, M. L. (1991) Possible Worlds, Artificial Intelligence and Narrative Theory. Indianapolis: Indiana University Press.
Ryder, M. E. (2003) ‘I met myself coming and going: Co(?)-referential noun phrases and point of view in time travel stories’, Language and Literature 12(3): 213–32.
Sacks, H. (1995) Lectures on Conversation, vols. 1 and 2. Oxford: Blackwell.
Sanford, A., Sturt, P., Moxey, L., Morrow, L. and Emmott, C. (2004) ‘Production and comprehension measures in assessing plural object formation’, in Carreiras, M. and Clifton, C. (eds.) The On-line Study of Sentence Comprehension: Eyetracking, ERPs and Beyond, pp. 151–66. London: Taylor and Francis.
Saussure, F. de (1959 [1916]) Course in General Linguistics. New York: McGraw-Hill.
Schank, R. C. (1982) Dynamic Memory: A Theory of Reminding and Learning in Computers and People. Cambridge: Cambridge University Press.
Schank, R. C. and Abelson, R. (1977) Scripts, Plans, Goals and Understanding. Hillsdale, NJ: Lawrence Erlbaum Associates.
Schegloff, E. A. and Sacks, H. (1974) ‘Opening up closings’, in Turner, R. (ed.) Ethnomethodology: Selected Readings, pp. 233–64. Harmondsworth: Penguin.
Schram, D. and Steen, G. (eds.) (2001) The Psychology and Sociology of Literature. Amsterdam: John Benjamins.
Scollon, R. and Wong-Scollon, S. (2003) Discourse in Place: Language in the Material World. London: Routledge.
Scott, M. (2004) WordSmith Tools. Oxford: Oxford University Press.
Seargeant, P. (2007) ‘Discursive diversity in the textual articulation of epidemic disease in Early Modern England’, Language and Literature 16(4): 323–44.
Searle, J. R. (1969) Speech Acts: An Essay in the Philosophy of Language. Cambridge: Cambridge University Press.
Searle, J. R. (1979) Expression and Meaning: Studies in the Theory of Speech Acts. Cambridge: Cambridge University Press.
Sebeok, T. A. (ed.) (1960) Style in Language. Cambridge, MA: MIT Press.
Segal, E. (1995) ‘Narrative comprehension and the role of deictic shift theory’, in Duchan, J. F., Bruder, G. A. and Hewitt, L. E. (eds.) Deixis in Narrative: A Cognitive Science Perspective, pp. 3–17. Hillsdale, NJ: Lawrence Erlbaum.
Semino, E. (1997) Language and World Creation in Poems and Other Texts. London: Longman.
Semino, E. (2001) ‘On readings, literariness and schema theory: a reply to Jeffries’, Language and Literature 10(4): 345–55.
Semino, E. (2002) ‘Stylistics and linguistic variation in poetry’, Journal of English Linguistics 30(1): 28–50.
Semino, E. (2008) Metaphor in Discourse. Cambridge: Cambridge University Press.
Semino, E. and Culpeper, J. (eds.) (2002) Cognitive Stylistics: Language and Cognition in Text Analysis. Amsterdam: John Benjamins.
Semino, E. and Short, M. (2004) Corpus Stylistics: Speech, Writing and Thought Presentation in a Corpus of English Writing. London: Routledge.
Semino, E. Heywood, J. and Short, M. (2004) ‘Methodological problems in the analysis of a corpus of conversations about cancer’, Journal of Pragmatics 36(7): 1271–94.
Short, M. (1981) ‘Discourse analysis and the analysis of drama’, Applied Linguistics 11(2): 180–202.
Short, M. (ed.) (1989) Reading, Analysing and Teaching Literature. London: Longman.
Short, M. (1995) ‘Discourse analysis and power relationships in The Ebony Tower by John Fowles’, in Verdonk, P. and Weber, J. J. (eds.) Twentieth-century Fiction: From Text to Context, pp. 45–62. London: Routledge.
Short, M. (1996) Exploring the Language of Poems, Plays and Prose. London: Longman.
Short, M. (1998) ‘From dramatic text to dramatic performance’, in Culpeper, J., Short, M. and Verdonk, P. (eds.) Exploring the Language of Drama: From Text to Context, pp. 6–18. London: Routledge.
Short, M. (2000) ‘Graphological deviation, style variation and point of view in Marabou Stork Nightmares by Irvine Welsh’, Journal of Literary Studies/Tydskrif vir Literatuur Wetenskap 15(3/4): 305–23.
Short, M. (2007) ‘How to make a drama out of a speech act: the speech act of apology in the film A Fish Called Wanda’, in Hoover, D. and Lattig, S. (eds.) Stylistics: Prospect and Retrospect, pp. 169–89. Amsterdam: Rodopi.
Short, M. and van Peer, W. (1989) ‘Accident! Stylisticians evaluate: aims and methods of stylistic analysis’, in Short, M. (ed.) Reading, Analysing and Teaching Literature, pp. 22–71. London: Longman.
Short, M. and van Peer, W. (1999) ‘A reply to Mackay’, Language and Literature 8(3): 269–75.
Short, M. and Wen Zhong, H. U. (1997) ‘Analyzing the changing character and sophistication of TV advertisements in the People's Republic of China’, Text 17(4): 491–515.
Short, M. Freeman, D., van Peer, W. and Simpson, P. (1998) ‘Stylistics, criticism and mythrepresentation again: squaring the circle with Ray Mackay's subjective solution for all problems’, Language and Literature 7(1): 40–50.
Silkin, J. (ed.) (1979) The Penguin Book of First World War Poetry. Harmondsworth: Penguin.
Simpson, P. (1993) Language, Ideology and Point of View. London: Routledge.
Simpson, P. (1996) Language through Literature: An Introduction. London: Routledge.
Simpson, P. (2004) On the Discourse of Satire. Amsterdam: John Benjamins.
Simpson, P. and Montgomery, M. (1995) ‘Language, literature and film: the stylistics of Bernard MacLaverty's Cal’, in Verdonk, P. and Weber, J. J. (eds.) Twentieth-century Fiction: From Text to Context. London: Routledge.
Sinclair, J. (2004) Trust the Text: Language, Corpus and Discourse. London: Routledge.
Somacarrera, P. (2000) ‘“Barometer Couple”: balance and parallelism in Margaret Atwood's Power Politics’, Language and Literature 9(2): 135–49.
Sopcák, P. (2007) ‘“Creation from nothing”: a foregrounding study of James Joyce's drafts for Ulysses’, Language and Literature 16(2): 183–96.
Sotirova, V. (forthcoming) D. H. Lawrence and Narrative Viewpoint. London: Continuum.
Spencer-Oatey, H. (2002) ‘Managing rapport in talk: using rapport sensitive incidents to explore the motivational concerns underlying politeness’, Journal of Pragmatics 34: 529–45.
Steen, G. J. (1994) Understanding Metaphor in Literature: An Empirical Approach. London: Longman.
Steen, G. J. (2007) Finding Metaphor in Grammar and Usage. Amsterdam: John Benjamins.
Steffensen, M. S. and Joag-Dev, C. (1984) ‘Cultural knowledge and reading’, in Alderson, J. C. and Urquhart, A. H. (eds.) Reading in a Foreign Language, pp. 48–64. London: Longman.
Stockwell, P. (2000) The Poetics of Science Fiction. Harlow/London: Longman.
Stockwell, P. (2002a) Cognitive Poetics: An Introduction. London: Routledge.
Stockwell, P. (2002b) ‘Miltonic texture and the feeling of reading’, in Semino, E. and Culpeper, J. (eds.) Cognitive Stylistics: Language and Cognition in Text Analysis, pp. 73–94. Amsterdam: John Benjamins.
Stockwell, P. (2003) ‘Surreal figures’, in Gavins, J. and Steen, G. (eds.) Cognitive Poetics in Practice, pp. 13–26. London: Routledge.
Stubbs, M. (2005) ‘Conrad in the computer: examples of quantitative stylistic methods’, Language and Literature 14(1): 5–24.
Syal, M. (1997) Anita and me. London: Flamingo.
Tarantino, Q. (1994) Reservoir Dogs. London: Faber and Faber.
Thomas, D. (2003) Collected Poems. Ed. Walford Davies and Ralph Maud. London: Phoenix.
Thomas, J. (1995) Meaning in Interaction: An Introduction to Pragmatics. London: Longman.
Todd, L. (1989) The Language of Irish Literature. Basingstoke: Palgrave.
Toolan, M. (1988) Language in Literature: An Introduction to Stylistics. London: Hodder Arnold.
Toolan, M. (1996) ‘Stylistics and its discontents; or, getting off the Fish “hook”’, in Weber, J-J. (ed.) The Stylistics Reader, pp. 117–35. London: Hodder Arnold.
Tsur, R. (1992) Towards a Theory of Cognitive Poetics. Amsterdam: Elsevier.
Turner, M. (1987) Death is the Mother of Beauty: Mind, Metaphor, Criticism. Chicago: University of Chicago Press.
Ungerer, F. and Schmid, H. J. (1996) An Introduction to Cognitive Linguistics. London: Longman.
Van Peer, W. (1980) The Stylistic Theory of Foregrounding: A Theoretical and Empirical Investigation. Unpublished PhD thesis: Lancaster University.
Van Peer, W. (1986) Stylistics and Psychology: Investigations of Foregrounding. London: Croom Helm.
Van Peer, W. (1993) ‘Typographic foregrounding’, Language and Literature, 2(1): 49–61.
Van Peer, W. (ed.) (2007) Language and Literature, Special Issue: Foregrounding, 16(2): 99–224.
Van Peer, W. Hakemulder, J. and Zyngier, S. (2007) Muses and Measures: Empirical Research Methods for the Humanities. Cambridge: Cambridge Scholars Publishing.
Van Peer, W. Mentjes, A. and Auracher, J. (in press) ‘Does reading literature make you happy?’, in Martindale, C., Dorfman, L., Petrov, V. and Leontiev, D. (eds.) New Directions in Aesthetics, Creativity, and the Psychology of Art. Amityville, NY: Baywood Publ. Co.
Venn, J. (1880) ‘On the diagrammatic and mechanical representation of propositions and reasonings’, The London, Edinburgh, and Dublin Philosophical Magazine and Journal of Science 9: 1–18.
Verdonk, P. (ed.) (1993) Twentieth-century Poetry: From Text to Context. London: Routledge.
Verne, J. (1994 [1873]) Around the World in Eighty Days. Ware: Wordsworth.
Wales, K. (1989) A Dictionary of Stylistics. 1st edition. London: Longman.
Wales, K. (2001) A Dictionary of Stylistics. 2nd edition. London: Longman.
Wallhead, C. (2003) ‘Metaphors for the self in A. S. Byatt's the Biographer's Tale’, Language and Literature 12(4): 291–308.
Werth, P. (1994) ‘Extended metaphor: a text world account’, Language and Literature 3(2): 79–103.
Werth, P. (1995) ‘How to build a world (in a lot less than six days and using only what's in your head)’, in Green, K. (ed.) New Essays on Deixis: Discourse, Narrative, Literature, pp. 49–80. Amsterdam: Rodopi.
Werth, P. (1997) ‘Remote worlds: the conceptual representation of linguistic would’, in Nutys, J. and Pederson, E. (eds.) Language and Conceptualization, pp. 84–115. Cambridge: Cambridge University Press.
Werth, P. (1999) Text Worlds: Representing Conceptual Space in Discourse. London: Longman.
Werth, P. (2007 [1995]) ‘“World enough, and time”: deictic space and the interpretation of prose’, in Carter, R. and Stockwell, P. (eds.) The Language and Literature Reader, pp. 155–66. Abingdon: Routledge.
West, D. (2007) ‘I. A. Richards’ Theory of Metaphor: between protocognitivism and poststructuralism’, in Jeffries, L., McIntyre, D. and Bousfield, D. (eds.) Stylistics and Social Cognition. Amsterdam: Rodopi.
West, D. (2008) ‘Changing English: a polemic against diversity and fragmentation’, Changing English: An International Journal of English Teaching 15(2): 137–43.
West, D. (forthcoming) I. A. Richards: Towards a Cognitive Stylistics. London: Continuum.
Wodehouse, P. G. (1980 [1969]) A Pelican at Blandings. London: Penguin.
Wodehouse, P. G. (1991) The Mating Season. London: Random House.
Wordsworth, W. (1971) The Prelude: A Parallel Text. Ed. J. Maxwell. London: Penguin.
Wynne, M. (2006) ‘Stylistics: corpus approaches’, in Brown, K. (ed.) Encyclopedia of Language and Linguistics, 2nd edition, Vol. 12, pp. 223–6. Oxford: Elsevier.
Wynne, M. Short, M. and Semino, E. (1998) ‘A corpus-based investigation of speech, thought and writing presentation in English narrative texts’, in Renouf, A. (ed.) Explorations in Corpus Linguistics, pp. 231–45. Amsterdam: Rodopi.